Banca de DEFESA: JOSÉ DA SILVA ARAÚJO JÚNIOR

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : JOSÉ DA SILVA ARAÚJO JÚNIOR
DATA : 17/10/2022
HORA: 09:00
LOCAL: meet.google.com/xie-cpke-tba
TÍTULO:

CONFLUENCE BETWEEN THE ARTS: nature, culture and myth in Pedro Casaldáliga and Mari Bueno

PALAVRAS-CHAVES:

Nature. Culture. Myth. Interart Studies. Semiotics.

PÁGINAS: 120
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Comparada
RESUMO:

The present dissertation presents the result of a research that analyzed poetic configurations of the work Versos Adversos: Antologia (2006), by the Spanish writer Pedro Casaldáliga and the engaged character of his poems, which, through poetic images, emphasize the importance of nature, culture and myth in the literature produced in the State of Mato Grosso. To achieve this desideratum, an analysis was carried out of the poems chosen under the semiotic bias in the interart relations that involve the literary text and painting. In this way, a comparative study was carried out between the work Versos Adversos: Antologia (2006) and the canvases painted by the plastic artist Mari Bueno, which deal, each in its own way, with different realities that have points of contact in the field of meaning. , thus exposing the Mato Grosso tradition through textual, historical and social data. Thus, the objective was to understand how the process of correlation between poetic discourse and painting takes place through the transmutation of the meaning arising from this fusion. Therefore, through qualitative methodological efforts of a bibliographic nature, the research was based on the interdisciplinarity of comparative studies. In this sense, the examination of these two areas of knowledge, that is, the literary text found in the poetry of Casaldáliga and the canvases created by the artist Mari Bueno, was carried out in the light of semiotics, especially supported by the contributions of Greimas (1917-1992), Pietroforte (2006), Souriau (1983), Wolffllin (2015), Gombrich (2000), Hauser (2003) Lótman (1978), Eliade (1992) and Bosi (2000), which served as a foundation for this investigation, as they enabled the understanding of our objects of analysis in their correlation with another artistic language. Thus, the confluence of the literary work in a painting, in addition to promoting verisimilitude, plays a transforming role that can converge to the same end, humanize and transform the individual and, consequently, change the environment in which it is inserted, reconciling the sensitive with the the intelligible, in addition to contributing to the dissem

MEMBROS DA BANCA:
Presidente - 133580001 - ADRIANA LINS PRECIOSO
Interno - 131982001 - ROSANA RODRIGUES DA SILVA
Externo à Instituição - GICELMA DA FONSECA CHACAROSQUI TORCHI - FUFGD