Banca de DEFESA: JULIANNA ALVES BAHIA

Uma banca de DEFESA de MESTRADO foi cadastrada pelo programa.
DISCENTE : JULIANNA ALVES BAHIA
DATA : 23/05/2022
HORA: 08:00
LOCAL: Sala virtual- GOOGLE MEET
TÍTULO:

PEDRA CANGA AND A DANÇA DO JAGUAR: FROM LOCAL TO UNIVERSAL - SETTINGS OF THE FANTASTIC, MEMORY AND IDENTITY

PALAVRAS-CHAVES:

space; house; fantastic; memory; Tereza Albues.

PÁGINAS: 127
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Brasileira
RESUMO:

The presence of Mato Grosso’s regionalism, in most of Tereza Albues’s works, denotes the writer's commitment to rescuing and conserving the culture, habits, traditions and dialects of the people of this region, with fascinating, engaging plots and tangles of mysteries, with intriguing characters, all of this correlated with serious denunciations, of marked social relevance. In this context, the purpose of this research is to analyze the representation of the house and its developments, such as the fantastic, memory and identity in the works, in the works by Tereza Albues, Pedra Canga (1987) and A dança do jaguar (2000), aiming to apprehend the forms of representation of the novelistic genre from the two realities, Mato Grosso and Sanfranciscana, thus highlighting the notably mystical and fantastic space in their narratives. For the elaboration of the historical course of the literary productions produced in the State of Mato Grosso, placing in this space the narratives of Albues, the theoretical framework focuses on studies of Mendonça (2015), Magalhães (2001 and 2002), Nadaf (2004), Castrillon-Mendes (2020), Mahon (2021), Walker (2021). Pedra Canga and A dança do jaguar are, respectively, the first and last novels published by Albues. In the first one, the story takes place in Pedra Canga, a small village located in the interior of Mato Grosso, Brazil and in the last one San Francisco, in the United States, despite the geographical distance, the plots have some points in common. The spaces of these narratives are notoriously relevant, as both are based on two houses: in Pedra Canga, in the Vergare house, located in Chácara Mangueiral, and, in A dança do jaguar, in the Vitoriana house, owned by the Maltesa. To discuss, the questions thought, taking the narrative point by point, we adopt a stance that prioritize the analytical approach of inseparable intratextual aspects, that is, without the concatenation by the structuring element, but simultaneously, intertwining the categories, basing on theorists such as Bakhtin (1993), Genette (1995), Lins (1976), Dimas (1994), Bachelard (2000), Borges Filho (2007). For the other categories, narrator and characters, Friedman (2002), Leite, (2004) and Foster (2005). Tereza Albues' narratives show aspects inherent to the fantastic, a recurring feature in her works. Thus, the theoretical support used in this research, to clarify such definition, covers the studies carried out by Todorov (1975), Rodrigues (1988), Furtado (1980) and Roas (2014); and, in relation to memory studies that, consequently, embark on the re(de)construction of identity, the foundation is based on Halbwachs (1990), Le Goff (2003), Hall (2006), Gagnebin (2006), Ricoeur (2007), Sarlo (2007) e Assmann (2011). Regarding identity issues, considering that we are beings in continuous transformation and, therefore, continuously in the process of (de)(re)construction of identity, among the various aspects that can contribute to changes in our individuality, memory is the one that most influences on this route, since returning to the past, remembering, reliving moments is something that makes you think, reflect, ponder and often resize and redirect life.

MEMBROS DA BANCA:
Presidente - 82304001 - JESUINO ARVELINO PINTO
Interno - 133580001 - ADRIANA LINS PRECIOSO
Externo ao Programa - 23653001 - ELISABETH BATTISTA