Banca de DEFESA: JEOVANI LEMES DE OLIVEIRA

Uma banca de DEFESA de DOUTORADO foi cadastrada pelo programa.
DISCENTE : JEOVANI LEMES DE OLIVEIRA
DATA : 31/03/2022
HORA: 14:00
LOCAL: Defesa On-line PPGEL
TÍTULO:

.

PALAVRAS-CHAVES:

Japanese poetry; Kokinshū; waka; Tsurayuki. 

PÁGINAS: 180
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literaturas Clássicas
RESUMO:

The purpuse of this thesis is the study of the classical Japanese work Kokinshū, noting that it is a precursor of aspects that typify Japanese lyric poetry. The guiding principle that will move the arguments is the assumption that the work Kokinshūreflects animic characteristics of Japanese aesthetics that constitute indelible presences in later Productions, especially in the representative haiku. It is intended to highlight and illuminate the singularities of the work that are configured in specificities of Japanese lyrical production. Classic arguments about the work and modern critical trends will be taken into account. What are called classical arguments here are mainly the studies of W. G. Aston and Donald Keene, in addition to Portuguese scholars, suck as Wesceslau de Moraes. The relationship between the work and the cultural and historical aspects will be observed starting from the assumptions established by Yuri Lotman and the presence of semiological, phenomenological and semiotic principles; those marked by the contribution of Yuri Lotman. The contribution of A. G. Greimas and Denis Bertrand, regarding the semiotic presence; Roland Barthes in relation to semiology and, in relation to phenomenology, the contribution of the Japanese philosopher Tetsuro Watsuji is added. Regarding poetry itself, the contributions of several poets will be observed, with emphasis on the poet and editor Ki no Tsutayuki and the poet Miss Ise. Kanajo, na essay that Ki no Tsurayuki published concomitantly with the collection, contributes to the study od poetic production by observing the origins and cultural aspects that support it; in addition, it exposes essential aspects of Japanese poetry. Aspects that are observable in the poems Tsurayuki who, like the other organizers of the collection, has poems published in it. Ki no Tsurayuki’s arguments in the essay he published along with the collection foreshadow aesthetic principles that have echoed in poetry through the ages. Ki no Tsurayuki’s contribution to Japanese literature goes beyond these two aspects, since the author is also a precursor of the literary travel diary. The female contribuition to the Japanese literature of the Heian Era is an aspect worth mentioning, especially because we are talking about the 10th and 11th centuries of the Christian era, and in this period, nowhere else on the planet was there a literary contribution as intense as that of Japanese poets. In the work Kokinshū this contribution was quite democratic, since it has poems wirtten by princesses and concubines, servants, prostitutes. The thesis aims not only to discuss the poetry of Kokinshū, but also to awaken to the need for knowledge about classical Japanese literature. 

MEMBROS DA BANCA:
Presidente - 036.234.248-20 - TIEKO YAMAGUCHI MIYAZAKI - UNESP
Interno - 131915001 - ALEXANDRE MARIOTTO BOTTON
Interno - 82321001 - ISAAC NEWTON ALMEIDA RAMOS
Externo à Instituição - MÁRCIO NATALINO THAMOS -
Externo à Instituição - PAULO CÉSAR ANDRADE SILVA -