Banca de QUALIFICAÇÃO: JOSÉ FLÁVIO DA PAZ

Uma banca de QUALIFICAÇÃO de DOUTORADO foi cadastrada pelo programa.
DISCENTE : JOSÉ FLÁVIO DA PAZ
DATA : 27/09/2021
HORA: 09:00
LOCAL: Defesa On-line PPGEL
TÍTULO:

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PALAVRAS-CHAVES:

Pernambuco poetry; Rondônia literature; MEIPE; Irony; Eduardo Martins. 

PÁGINAS: 165
GRANDE ÁREA: Lingüística, Letras e Artes
ÁREA: Letras
SUBÁREA: Literatura Brasileira
RESUMO:

The Movement of Independent Writers of Pernambuco (MEIPE) was created by teenage and young writers, in the 80s of the last century in the city of Recife, characterized by resisting the oppressive, post-dictatorial system as it was passing through Brazil at the time and, for its forms. avant-garde in the way of reading, seeing and making poetry of apparent rebellion and insubordination to pasteurized models, producing a literature outside what was established by the classical poets, thus moving away from the Brazilian literary canon. Among names such as Francisco Espinhara, Cida Pedrosa, Fátima Ferreira, Héctor Pellizzi, among the founders, militants and resistance in MEIPE, the poet Eduardo Martins stands out, one of the members who promotes the Movement and continues to produce literary works and academically. His poems carry MEIPE's ideologies and, in addition to subjectivity, semanticity and polyphony, typical characteristics of poetry, irony presents itself as a mark in his works, not only irony as linguistics promotes, but a situational irony, of philosophical, psychoanalytic, romantic and sensitive nature as poetry and literature more broadly, expressed in various ways, whether in the self-irony of the lyrical self towards human life, its perception of the world and how to experience it, interfering in the ways of seeing -think-act. A metaphysical irony, but also involved in mythical and cosmic issues that reflect on existential issues, faith, love, death and positive and/or negative sufferings to which the human being is subject, as a living and thinking being. When not, it surprises us with its poetic intention, leading us to produce ironic effects, making us ironists. Therefore, the objective is to highlight the presence in MEIPE and the irony in the trajectory of Eduardo Martins' poems, through symbolic or metaphorized effects, strategically produced by the poet, in the works Eczema no lírico (1985), The open side (2004) and Signos dried (2020). Therefore, qualitative research will be used, with an exploratory, bibliographic-comparative and documentary nature, with an analytical-descriptive orientation, in view of the consultations in various publications, including the twelve books published by Eduardo Martins, in the last four decades. Thinkers like Adorno (2003); Aristotle (1993 and 1998); Arrigucci Jr. (1997, 2002 and 2003); Bosi (1992 and 2015); Campos & Cordeiro (2005); Campos (1977) Candido (1996); Espinhara (2000); Friedrich (1978); Hegel (1996); Kant (1993); Kayser (1963); Kierkegaard (2006); Paz (1982); Rorty (2007); Sanches & Martins (2019); Valéry (1991); Williams (1987) among others that add to the support and defense of the arguments that are intended to be inferred. It is expected as results, in addition to meeting the proposed objectives, to establish connections between the Poet and society, recognizing his production as Rondo-Permabucano, since he was born in Pernambuco and produces a large part of his works in the state of Rondônia, leading him to condition of national poet, with irony and independence as essential elements in his poetic trajectory.

MEMBROS DA BANCA:
Presidente - 131983001 - AROLDO JOSE ABREU PINTO
Interno - 131915001 - ALEXANDRE MARIOTTO BOTTON
Externo à Instituição - JÚLIO CÉSAR BARRETO ROCHA - UNIR