Banca de QUALIFICAÇÃO: THAYNÁ OLIVEIRA MARQUES DE ARRUDA

THE PRODUCTION OF SONG MEANINGS IN MUSICAL TEXTS FROM 1964 TO 2020

Semantics of the Event; Musical Texts; Resistance; Enunciation; Meanings.

THE PRODUCTION OF SONG MEANINGS IN MUSICAL TEXTS FROM 1964 TO 2020

This work, linked to the Concentration Area for the Study of Linguistic Processes, Research Line Studies of Meaning Processes of the Stricto Sensu Postgraduate Program in Linguistics at the State University of Mato Grosso (UNEMAT). And we aim to show that the songs are constituted by affirming the resistance of the working class, singing messages of struggle against oppression. For development, we selected two songs from the period of 1964. Next, we will guide a description of the agency of enunciative figures, seeking to characterize the imaginary representation that is constructed speaker/singer/composer versus interlocutor/listener and we analyze through articulation and rewriting devices . We take Event Semantics (2002, 2018) as theoretical support, a discipline that considers that the analysis of the meaning of language must be located in the study of enunciation, in the event of saying. Therefore, we understand that the enunciation is taken as the place that produces meaning, starting from this point, we carry out our analyses. We sought to verify the semantic-enunciative functioning of the two songs through the functioning, constructed in the lyrics.