VOICES OF THE FEMININE IN THE POEM-SONG BY CHICO BUARQUE DE HOLLANDA
feminine; Social; song; Chico Buarque.
By questioning the androcentric model of social organization that tends to characterize the human race in the nomenclature “man”, reaffirming gender domination; we propose to develop a study on the different nuances of the feminine in their personal, interpersonal and social relationships from the poetic production of the composer of Brazilian popular music, Chico Buarque de Hollanda, through the following themes: the redefinition of the feminine identity and its consequences. By recognizing the artistic potential of the poet-singer in representing marginalized subjects in society, we will seek to investigate the unfolding of the multiple faces of women, in the female lyrical self projected in some Buarquean songs: the goddess, the wife and housewife, the lover who suffers from abandonment, the mother in her maternal role, the prostitute, symbol of perdition and the homosexual victims of daily prejudice. Therefore, the research intends to understand, through this variation, the process and revelation of discrimination against the figure of women, as well as their confrontation with this misogynistic conduct. From the critical poetic lyricism of Chico's songs, an outline of these many voices emanating from universal female social pains is sought. The development of the work will start from lyric poetry, approaching lyricism in poetry and then in lyrical song with a feminine bias and the way it has been structured in Brazil throughout the twentieth century onwards. Followed by theoretical approaches contemplated by the literature, mainly by female authors, such as Adélia Bezerra de Meneses (2001), Ana Mary Shehbe De Carli and Flávia Brocchetto Ramos (2006), Mary del Priore (2013), Maria Helena Fontes (2003) and others thinkers who debate on the subject.